Tag Archives: Indigenous Archaeology

Conclusions

By Christine Adams, Graduate Diploma in Archaeology and Cultural Heritage Management student

This is my final post on the Wirrabara and Bundaleer Forests. During this directed study I have worked with Kylie Lower of Blackwood Heritage Consulting. I have learnt about the Nukunu community and the Wirrabara and Bundaleer Forests, both of which I knew very little about before this project.  One of the project highlights was meeting members of the Nukunu community. Although, I did not visit Wirrabara and Bundaleer Forests, through visiting Port Augusta I witnessed the Nukunu connection to Country and their culture. This experience, as well as the oral history interview and documentary sources, indicates their ongoing connection to Wirrabara and Bundaleer Forests. Due to the presence of European sites, these forests are also likely to be significant to the descendants of European settlers and other members of the local community.

This project has also refreshed my memory of ArcGIS software. Regarding the research, it has surprised me that some information was relatively easy to find and yet some was very difficult to locate or couldn’t be found at all. I recently managed to find Lothar Brasse Architects’ conservation report, which provided further insights into the history of the forests and sites within the study area, and for environmental and geological information, Laut et al. 1977 was very useful. Also, a couple of PhD theses have been helpful for my research: Husmann 2004 and Krichauff 2014. It would be useful for future researchers to contact the South Australian Museum regarding relevant collections that they hold and to conduct archaeological surveys in the forests. The project has been very demanding but a worthwhile experience.

References

Husmann, J. 2004 Transplantations: a Comparative History of Afforestation in Nebraska and South Australia 1870s- 1940s. Unpublished history PhD thesis, Faculty of the Graduate College, The University of Nebraska, Lincoln.

Krichauff, S. 2014 ‘Looking Back There was a Lot we Missed’: an Examination of how Settler Descendants from South Australia’s North-East Highland and Wirrabara Districts Know and Understand the Nineteenth-century Colonial Past. Unpublished PhD thesis, Faculty of Health, Arts and Design, Swinburne University of Technology, Melbourne.

Laut, P., P.C Heyligers, G. Keig, E Loffler, C Margules, R.M Scott and M.E. Sullivan 1977 Vol. 5 Environments of South Australia Province 5 Eastern Pastoral and Province 6 Flinders Ranges. Report for division of Land Use Research Commonwealth Scientific and Industrial Research organization Canberra, Australia.

Lothar Brasse Architects 2000 Bundaleer and Wirrabara Forest Reserves Conservation Plan. Unpublished report prepared for Forestry SA.

Mapping and further research

By Christine Adams, Graduate Diploma in Archaeology and Cultural Heritage Management student

As part of my Directed Study into Bundaleer and Wirrabara Forests, Kylie Lower of Blackwood Heritage Consulting and I created maps showing the locations of the Wirrabara and Bundaleer Forests within the Nukunu Native Title Claim. The Native Title Claim is shown in orange and the forests in pink.

Bundaleer Forest map

Bundaleer Forest map

 

Wirrabarra map

Wirrabara Forest map

I have also been researching the general archaeological background of the Flinders Ranges, the archaeology of Nukunu lands, including the Bundaleer and Wirrabara Forests, the geology and vegetation of the region and historical information. Heritage register searches of the South Australian Museum database, Aboriginal Affairs and Reconciliation Division (AARD) and South Australian Heritage Places Archives were also productive.

The Flinders Ranges has a long archaeological history, with the northern Flinders Ranges site of Warratyi dating to 50,000 years ago (Hamm et al. 2016:280). Although this site is further north than the area of my research, there are sites on Nukunu lands dating from 30,000 to 40,000 years ago (Walshe 2012:108-109; Walshe et al. 2001:7) and it is possible that there may be even older sites.

It has been easier to find historical information on Wirrabara Forest than on Bundaleer Forest but the reason for this is unclear, as they are both near towns. Due to technical problems I am yet to transcribe the oral history interview and only have my notes that I made at the time. Hopefully, it will be possible to transcribe this soon.

References

Hamm, G., P. Mitchell, L.J. Arnold, G.J Prideaux, D. Questiuax, N.A. Spooner, V.A. Levchenko, E.C. Foley, T.H. Worthy, B. Stephenson, V. Coulthard, C. Coulthard, S. Wilton and D. Johnston 2016 Cultural innovation and megafauna interaction in the early settlement of arid Australia. Nature 539 (7628):280-283.

Walshe, K., J. Prescott, F. Williams and M. Williams 2001 Preliminary investigation of Indigenous campsites in Late Quaternary dunes, Port Augusta, South Australia. Australian Archaeology 52:5-8.

Walshe, K. 2012 Port Augusta hearth site dated to 40,000 years. Australian Archaeology 74:106-110.

Nukunu Country

Landscape near Port Augusta

By Christine Adams, Graduate Diploma in Archaeology and Cultural Heritage Management student

As part of my directed study I travelled to Port Augusta to meet the Nukunu community and conduct an oral history interview with two Nukunu men, Doug Turner and Darcy Evans. I took some notes and had permission to record the interview so that I can write up a transcript. Through communicating with Nukunu and visiting sites in their country, I had the opportunity to learn more about their culture.

I learned through the oral history interviews about the Wirrabara and Bundaleer forests, which are both part of Nukunu country. Wirrabara comes from the Nukunu words ‘wirra’ and ‘burra’, and translates as red gum creek. They believe that a spirit made the Wirrabara creek bed and that another spirit made the water; the Nukunu conduct ceremonies to honour these spirits. I learnt that the area had fertile vegetation until the land was cleared. Unfortunately, some cultural sites were destroyed when the land was cleared and some of the Nukunu were driven off their lands and placed on reserves or killed. Later, some of this land was used to plant the Bundaleer and Wirrabara forests. Despite this, the Nukunu still have a strong connection to Country and pass on their knowledge to younger generations. The significance of archaeological sites and cultural landscapes to the Nukunu is demonstrated when those who have felt disconnected spiritually are taken out to their Country, and end up feeling better when re-connecting with their heritage and the broader cultural landscape. There are also some important song-lines connected to the Dreaming on Nukunu lands, and these are also significant to other Indigenous Australian groups.

My industry partner, Kylie Lower of Blackwood Heritage Consulting Pty Ltd, contacted the Department of State Development, Aboriginal Affairs and Reconciliation division (AAR), to access information on Indigenous sites within a ten-kilometre buffer zone of the Wirrabara and Bundaleer Forests. It is also possible that there are sites within this area that AAR are not aware of, due both to cultural sensitivities and the fact that only parts of the forests have been surveyed. Kylie and I also created a preliminary map of the study area on ArcGIS and will be undertaking further mapping in the future.

Cultural heritage in the forests

By Christine Adams, Graduate Diploma in Archaeology and Cultural Heritage Management student.

I am currently undertaking a Directed Study in Archaeology as part of my Graduate Diploma of Archaeology and Cultural Heritage Management. My industry partner is Kylie Lower of Blackwood Heritage Consulting. The project is to perform a desktop study of the Wirrabara and Bundaleer Forests in the southern Flinders Ranges, South Australia, which were burnt during a recent bushfire. A desktop study means researching a site through journal articles and other materials, including websites and books. This project will also involve conducting oral history interviews with one of the local Indigenous groups– the Nukunu—and using ArcGIS software to map the forests.

My first task is to write a cultural and environmental background for the area. Besides the area now covered by the Bundaleer and Wirrabara Forests, the Nukunu also inhabit other areas, including Port Pirie, Mount Remarkable and Port Augusta. The Bundaleer Forest was the first forest planted in Australia in 1875. The Wirrabara Forest was planted shortly after in 1877. The planting of the Wirrabara Forest was on the White family’s land, which they had inhabited since 1844. Not surprisingly, its original name was White’s Forest. These plantations were used for logging. Known historic sites in Bundaleer Forest include the cottage of the first nurseryman, William Curnow, the conservator’s hut and the first forestry office.

Curnow's Cottage, Bundaleer Forest

Curnow’s Cottage, Bundaleer Forest, courtesy of Forestry SA

As loggers’ families lived near the Wirrabara forest, the first provisional school was established there in 1881. This building was also used for church services and became the community’s centre. I look forward to learning more about these places.

References

Forestry South Australia n.d. Wirrabara Forest Visitor Information. Accessed 17 Mar 2017 from .

Sizer, H. 1974 Yet Still They Live: Wirrabara’s Story. Location unknown: Lutheran Publishing House.

 

Controversy and Ethical dilemmas of the rock art discovery at the Coalpac Invincible Colliery, NSW

Map of the area

Image: Map of the area

Since 1989 the company known as Coalpac has been operating in the Lithgow area of the central Blue Mountains, New South Wales. Over that time there have been some environmental issues with the Invincible Colliery. When Coalpac applied for a modification to its mining license to allow for an expansion in 2010, there arose a number of concerns amongst the local community. These concerns were of an environmental nature and the community began lobbying the NSW government to deny the application. Coalpac commissioned an environmental impact statement which satisfied the government requirements by early 2013 and it seemed likely that the application would be accepted (Coalpac 2014b). What happened next is an example of the ethical and professional dilemmas faced by archaeologists employed within the mining industry.

In 2010, Coalpac as part of the environmental impact statement conducted an archaeological survey of the area concerned. The survey was conducted by two archaeology consultants from a mining engineering firm, employed by Coalpac and three representatives of the Wiradjuri people, the local Indigenous community (Coalpac 2012:4-5). In April of 2014 members of the Lithgow Environment Group found a stencil of a handprint in a cave which had not been identified by the Coalpac survey. The presence of the hand stencil was raised with the NSW government as was the validity of the heritage assessment undertaken by Coalpac. The stencil was described as being ‘obvious’ and distinct from the rock face, so how did the survey team miss it? (Hepworth 2014).

Hand Stencil

Image: The hand stencil in question

The original consultants were called in again to have another look and they concluded that the hand stencil motif did not match with other rock art in the area. Furthermore since the rock wall was prone to cracking and flaking due to water flow the stencil could not be of ‘significant’ age. Coalpac declared the motif to be only 3½ years of age at most (drawn since the original survey in 2010) and went as far as declaring it to be a phony (Coalpac 2014a). It should be noted however, that if the stencil was real and the original team missed it the first time, why use them again? Coalpac appeared to acting based on an assumption that the stencil was fake before conducting the second survey. If that was the case was the survey team instructed or encouraged to find that the stencil was modern? Certainly the Australian mining website jumped onto the bandwagon and ran a series of articles immediately following the release of the second survey report, declaring the stencil to be a phony and suggesting that it was simply an attempt by self-serving environmentalists to block a project which would create hundreds of jobs for the community (Hagemann 2014a).

After the second survey the Blue Mountains Conservation Society commissioned an archaeological consulting firm to conduct a third survey of the rock art site. The third survey team found additional hand stencils in other parts of the cave wall as well as scatters of stone tools on the floor. Their conclusion was that the site was used by Indigenous peoples over a long period of time for shelter and that all the rock art in the cave including the ‘phony’ stencil were of considerable age (Blucher 2014). These results were subsequently verified by a representative of the Office of Environment and Heritage which has the final say on matters of Indigenous heritage. So how is it that the results of surveys both conducted by trained archaeologists could differ so radically?

Stone Tools

Image: Stone tools found on the cave floor in situ.

The environmental group opposing the expansion called into question the due diligence and competence of the original survey team. Furthermore perhaps their status as being ‘independent’ consultants should be questioned as well? In addition a representative of the Wiradjuri council claimed that the representatives involved in the original survey were not from the area of the mine and were not familiar with the Indigenous sites located there (Hagemann 2014b). If Coalpac had been serious about protecting Indigenous heritage and following due process surely they should have taken the time to consult with Indigenous people with proper levels of knowledge of the area?

So why did this happen? The answer perhaps lies in Coalpac’s financial situation, the company is currently insolvent and the two open cut mines including the Invincible Colliery are currently not in operation. Energy Australia has declared its willingness to buy Coalpac and re-open the open cuts if the expansion plan is greenlighted. It is entirely possible that Coalpac may have put the archaeological consultants they hired under pressure to produce results that would not cause problems for the expansion plans. Or they may have restricted their time and funding to such an extent that the consultants did not have the resources to conduct more than a preliminary survey of the hand stencil. If that was the case how was it possible that the NSW government was ready to approve the expansion plan, should they have not realized that the heritage assessment was lacking? The author will leave the reader to form their own opinion on the issues raised in this blog but it does highlight the ethical and professional dilemmas faced by archaeologists employed by the mining industry.

Reference List

Blucher, A. 2014 Mine’s Aboriginal ‘rock art’ found to be authentic. Retrieved 27 August 2014 from Mine’s Aboriginal ‘rock art’ found to be authentic – ABC Rural (Australian Broadcasting Corporation)

Coalpac 2014a Community Newsletter July 2014. Lithgow: CW Print on behalf of Coalpac Pty Ltd.

Coalpac 2014b Company Website. Retrieved 26 August 2014 from http://cetresources.com/

Coalpac 2012 Environmental Impact Statement. Retrieved 26 August 2014 from https://majorprojects.affinitylive.com/public/637aed249f70dea6ec7b53b2235ef77e/10.%20Coalpac%20Consolidation%20Project%20EA%20-%20Main%20Report.pdf

Hagemann, B. 2014a “Aboriginal” art stopping coal expansion found to be phony. Retrieved 27 August 2014 from “Aboriginal” art stopping coal expansion found to be phony | Mining Australia

Hagemann, B. 2014b Coalpac’s claims about age of Aboriginal hand stencil in dispute. Retrieved 27 August 2014 from http://www.miningaustralia.com.au/news/coalpac-s-claims-about-age-of-ben-bullen-hand-sten

Hepworth, A. 2014 Mine’s ‘rock art’ just 3½ years old. Retrieved 1 September from http://www.theaustralian.com.au/business/mining-energy/mines-rock-art-just-3-years-old/story-e6frg9df-1226964358502#

A Timely Discovery

By Tegan Burton, Grad Dip in Archaeology

The semester has well and truly begun and research is underway. My topic is clear (Connecting Indigenous youth to culture through rock art recording and conservation) and my industry partner is on board (NSW National Parks & Wildlife Service Aboriginal Co-Management Unit).

Work commenced by identifying underlying elements and questions (e.g. Indigenous perceptions of archaeology, and archaeologists. Where are the Indigenous archaeologists? Is this ‘community archaeology’? Is it true that art in particular is more applicable than other aspects of archaeology? What’s so important about connecting with culture?) and hunting around the literature for relevant references.

Then, while searching the office for an old report, a timely discovery was made, a small book called Revival, Renewal & and Return: Ray Kelly and the NSW Sites of Significance Survey (Kijas 2005).

Image

Ray ‘Tiger’ Kelly was the first Aboriginal employee in the NSW National Parks & Wildlife Service (NPWS), engaged as a Research Officer in 1973. With Harry Creamer, and under the supervision of archaeologist Sharon Sullivan, Kelly commenced what was to become the decade long NSW Sites of Significance Survey.

The Survey commenced at a time when Australia was shifting from the eras of protection and assimilation to self-determination and reconciliation (Kijas 2005; Smith 2004). The process and results of running the Survey radically changed thinking in NSW, demonstrating that NSW Aboriginal people had not lost contact with sites nor culture, as had been the general belief.

Just two years after commencement, Kelly submitted a report titled ‘A revival of the Aboriginal culture: We, the Aboriginal people, need this to achieve our identity’. His passion for cultural revival, inspired by the Survey, exuded from every sentence. ‘Now that some of us are aware of what we have lost, there seems to be an urgent need to restore whatever is left of our culture. To do this successfully we must involve many more Aborigines in the recording and protection programme’ (Kelly 1975, in Kijas 2005:14).

Around the same period, Kelly identified some challenges to reviving Aboriginal culture in NSW. One of these was the need ‘to encourage white anthropologists, archaeologists and linguists in their ivory towers to give direct feedback to the people they have obtained their material from’, while another was to overcome ‘the white education system, which has not accepted the need for Aboriginal kids to be educated in their own history’ (Kelly 1975:16).

That was 1975. Where do things stand now, in 2014? How much have things changed, in NSW, bureaucratically, and in reality?

In 2005 Kelly concluded that ‘the future of Aboriginal cultural heritage is bright. However, there is still a long way to go’ and ‘we need Aboriginal land managers, Aboriginal rangers and educators to guide our communities, and play a key role in the cultural understanding of our land’ (Kijas 2005:119).

I’m not Aboriginal, Indigenous, or a First Nations person. But I have had the privilege of working with some incredibly inspirational people who are, and I look forward to expanding that work within the world of archaeology.

References:

Kelly, R. 1975 From the “Keeparra” to the “Cultural Bind”: An analysis of the Aboriginal situation. Australian Archaeology 2:13-17.

Kijas, J. 2005 Revival, Renewal and Return: Ray Kelly and the NSW Sites of Significance Survey. Hurstville: Department of Environment & Conservation (NSW).

Smith, C. 2004 Country, Kin and Culture: Survival of an Australian Aboriginal Community. Kent Town: Wakefield Press.

Who Gets a Tan in Alaska?

Celeste Jordan

I write to you from the depths of Western Alaska, along the Bering Sea in the large (by Alaskan standards) village of Quinhagak. It is a coastal community of about 700 people (City-Data 2011) that has a long and rich history.

The Quinhagak archaeological site is located right on the coast, about 6.5km from the village itself. The site is under serious threat from coastal erosion and lead investigator, Dr Rick Knecht, says that it all could slide into the Bering Sea with one major storm (Rick Knecht, pers. comm. 2013).

Quinhagak, Alaska. (City-Data 2011)

Quinhagak, Alaska. (City-Data 2011)

With 3 excavation seasons in the last 4 years, the site has produced some amazing artefacts and yielded unexpected information. The site was occupied between 1350 AD and 1630 AD, pre-contact (1820’s for Quinhagak) (Knecht 2012:21). The 1630 AD occupation period ended abruptly when the village was attacked by a neighbouring village in what is known as The Bow and Arrow War (Knecht 2012:23).

(White tent marks the site locale. Knecht 2012:34)

(White tent marks the site locale. Knecht 2012:34)

Over the last 10 days, 19 people from Scotland, the US, Canada, Lithuania and Australia have been working on two separate areas of the site: area A and area B.  Samples of fur, hair and seeds are being taken in most contexts. Below the tundra sod level, broken pottery, animal bones, mask fragments, labrets (cheek and lip plugs), broken shafts, dolls of various sizes, a toy bow and arrow, and lance and harpoon points are being excavated regularly.

De-sodding the site. Photo: Celeste Jordan 2013

De-sodding the site. Photo: Celeste Jordan 2013

The focus of my Directed Study is to understand the maritime subsistence and settlement pattern of Yup’ik culture through artefact study from in situ remains, and site and material culture analyses. This will help not only in my understanding of Yup’ik culture but also, with further investigation, the Quinhagak community in understanding their heritage as well.

So far, last Saturday has been the most exciting day. After many days of removing sod, beautiful artefacts emerged including:

  • An entire and complete bowl
  • A decorated labret
  • A carved ulu handle with what looks like 2 Palraiyuks either end
  • Several dolls
  • A fish and seal mask attachments
  • Mask fragments

These artefacts are a good indication that we are now truly down into the cultural layers—Finally!

Today was beautiful and sunny. Most of us worked in t-shirts, except when the mosquitoes (that are the size of small semi-trailers) and ‘no-see-ums’ (midges) forced us to wear sleeves. I’m anticipating coming home with a tan! We mainly focused on moving through the contextual layers with carefully excavating and screening.

A glorious day on site. Photo: Celeste Jordan 2013

A glorious day on site. Photo: Celeste Jordan 2013

Only the north part of area A produced anything of note today and boy did it produce! In quick succession this is what was excavated:

  • A small wooden box
  • A big wooden transformation doll – female to wolf
  • A labret
  • An almost complete mask
  • Snow goggles
  • Fur
Snow goggles in use by excavator Chas Bello. Photo: Colleen Lazenby 2013

Snow goggles in use by excavator Chas Bello. Photo: Colleen Lazenby 2013

Transformation doll with excavator Chas Bello. Photo: Celeste Jordan 2013

Transformation doll with excavator Chas Bello. Photo: Celeste Jordan 2013

Transformation doll with excavator Chas Bello. Photo: Celeste Jordan 2013

Transformation doll with excavator Chas Bello. Photo: Celeste Jordan 2013

Other artefacts were recovered today, but nothing like what was excavated in north area A by Chas Bello, one of our most experienced archaeologists. We still have 11 days left of excavation. Who knows what amazing artefacts still await us in the dirt?

There are blog posts everyday at http://nunalleq.wordpress.com

References

City-Data 2011 Quinhagak, Alaska. Retrieved 8 August 2013 from

Knecht, Rick 2012 Introduction to the Nunalleq Site. Presentation given to field crew, Quinhagak, Alaska