Tag Archives: Fieldwork

ArchSoc’s Trip to Port Arthur

A few weeks have passed since the Flinders Archaeological Society (ArchSoc) sent six of our members and two of our committee to help the Port Arthur Historic Sites Management Authority (PAHSMA) with their artefact collection from the 2011 Hobart Penitentiary Chapel excavations.

From left to right- Back: David Roe, Jeanne Harris, Tom Lally, Ilona Bartsch, Maxim Ayres and Louisa Fischer. Front: Andrew Wilkinson, Leah Ralph, Annita Waghorn, Lauren Davison and Holly Winter.

As you can see from the blog entries that the participants wrote at the end of each day, everyone enjoyed themselves and learnt a lot. This is the first time ArchSoc has organised a field trip like this and it is a testament to the dedication and organisation of this year’s committee that the trip went off without a hitch.

On behalf of ArchSoc, I would like to thank those that helped make this trip possible from the onset. Thanks go to Claire Smith, whose networking made this possible, Natalie Bittner, who along with myself, conducted the initial consultations with PAHSMA, and to David Roe and Annita Waghorn from PAHSMA, who were both more than happy to host several student volunteers.

BBQ in the Plaza @ Flinders

I would also like to thank those that helped in the planning stages and those that helped us in our more-than-successful fundraising BBQ and Bake Sale including the ArchSoc Committee and staff from the Department of Archaeology. There are too many individuals to name, but you all know who you are.

Thanks to everyone that applied to go on this trip, sorry we couldn’t accommodate all of you and to Andrew Wilkinson and Tom Lally who co-ordinated the trip at short notice when it was clear that I could no longer attend.

Lastly, a very big thank you goes to Jeanne Harris, David Roe and Annita Waghorn from PAHSMA for hosting ArchSoc on what was a very successful trip. We hope this is the start of a long relationship.

Bake Sale in the Humanities Courtyard

The professionalism of our committee and participants is highlighted in an email that David Roe sent to me shortly after the trip:

“From our perspective the week was a great success: we were able to get a number of important fieldwork jobs done and a significant hole has been made in the cataloguing task for the Penitentiary Chapel assemblage.  Jeanne, Annita and I were impressed with the Flinders contingent: they worked hard and were a pleasure to have around.  Their enthusiasm and conduct reflects most admirably upon the Flinders ArchSoc in particular and the University in general.  Please accept our thanks for having organised and underwritten the trip; we look forward to more such visits in the future.”

Again, thanks to all involved!

Jordan Ralph

President, Flinders Archaeological Society

Sorting artefacts in the Port Arthur lab

This post originally featured on ArchSoc’s blog @ www.flindersarchsoc.com

Gunbalanya Repatriation – Stealing is No Bloody Good

This post discusses part of the Barunga, NT Rock Art Field School, with a focus on one of the more significant social and political events that occurred in 2011. I was a volunteer demonstrator on this field school because it was taking place in the area that I am conducting my research and I was due to begin my data collection. The participants of the field school were due to depart Darwin on Tuesday 19th July 2011, for Barunga but like all fieldwork, this changed…

Sally May (ANU) phoned Claire Smith on the Sunday before our departure to say the human remains that had recently been repatriated by the Smithsonian Institute (USA) as well as some Australian museums were being reburied in a ceremony at the community from which they were stolen. The largest collection of remains was taken from the Gunbalanya (Oenpelli) region of Arnhem Land as part of the Northern Australian Expedition led by Charles Mountford. Since then, the remains have resided at the Smithsonian Institute in Washington. Other remains from this area that have resided in Australian museums, such as the Museum and Art Gallery of the Northern Territory, had also been returned.

Our detour from Darwin - Gunbalanya - Barunga

Orchestrating the return of these remains was a long process involving many consultations between the Gunbalanya community and the museums. Ultimately, the hard work of Traditional Owners and community members paid off and the remains were returned to country.

The reburial ceremony was due to take place mid-afternoon on Tuesday and we decided that this was an event not to be missed; unfortunately, repatriation of human and cultural remains does not happen very often. In order to be on time to the cermony we had to leave Monday, which posed a problem, as some people were not arriving in Darwin until 2am Tuesday!

Flinders rock art field school crew

I left Darwin on Monday morning (with fellow students, Bianca, Nessa and Yolanda), following Sally and Ele in our rental four-wheel-drives. We arrived at Gunbalanya at about four in the afternoon; the rest of the Flinders cohort was to follow as they flew into Darwin. The second convoy (Mick, Ebbsy, Beckie, Jarrad and Tegan) arrived at about eleven pm. We were sharing a run-down, asbestos-riddled house of the like that are all too common in Aboriginal communities. The final convoy (Claire, Jacko, Michael, Zidian, Andrew, Britt, Lauren, Tom, Antoinette and Rebecca) arrived at about six am Tuesday morning.

While those that had little to no sleep slept, the rest of us helped organise the post-ceremony celebrations. The Art Centre capitalised on the large number of willing volunteers, and roped a few of the Flinders crew into helping with stock-take. What a great introduction to the necessity of flexibility on fieldwork!

The Flinders staff and students played a proactive role in the organisation and running of the events of the day; Mick, Michael and I acted as photographers for the community and visually documented the procession and ceremony. The rest of the group acted as de facto caterers for the community at the celebratory BBQ.

Cooking buffalo steaks for the celebrations

While this is a positive event, the remains should never have been stolen, especially under the guise of ‘research’. I use the word ‘stolen’ and acknowledge that some may disagree with this, however, I am not a fan of beating around the bush; this is what happened, it is the way the community feels and it is the way I feel. As Traditional Owner of the region, Jacob, says in the ABC footage, “stealing is no bloody good”. It is very important to acknowledge the wrongdoings of past researchers, however righteous they believed their actions to be, so that we can continue to learn and improve our approaches to culturally sensitive materials and issues. It is an indication of the strength of the current Australian archaeological and anthropological disciplines that most contemporary research is carried out professionally and ethically.

I will not describe the official events of the day because it is something that is better seen than read.

Instead, visit these links to the ABC news reports:

http://www.abc.net.au/news/2011-07-25/celebrated-homecoming/2809308

http://www.abc.net.au/news/2011-07-20/20110720bones/2802414

Official procession to the burial grounds

There is no doubt this is one of the more important social and political events that occurred in 2011; it deserved much more media coverage than it received.

Jordan Ralph

This post originally featured  on my personal blog @ jordsralph.com

All views are my own and do not necessarily reflect the views of the organisations, institutions or individuals mentioned within.

What’s the value of contract archaeology?

By Helen Cronin, Master of Archaeology student. You can also read more of Helen’s work at her personal blog.

Portuguese archaeologist Leonor Medeiros’s contribution to the Day of Archaeology 2011 project was a lament.

I still feel tormented by the fact that, after you dig a site, and discover so much about it, that information is going to only a few people, and most of the sites are left to be destroyed or abandoned.

Her words echo my own feelings. The temporary exhibition I am working on as  an intern will show Bendigo residents what was happening behind the fence two years ago before a new office building was constructed. But it is an unusual case. The archaeology associated with most development sites in Australia goes exactly the same way as Medeiros’s Portuguese sites. The consultant archaeologists write a report and hand it over to the developer or land owner. The artefacts disappear into a warehouse. The local paper might have carried a couple of stories about the excavation while it was happening, but that’s about it.

Archaeology for the sake of it

Why do we bother? It seems a pointless exercise to investigate archaeological sites simply for the sake of it. The Victorian Heritage Act 1995 (which does not apply to Aboriginal cultural heritage) only states that its purpose is:

to provide for the protection and conservation of places and objects of cultural heritage significance and the registration of such places and objects

It is not in the nature of legislation to question its own existence, but to what end are we protecting and conserving cultural heritage if no-one knows about it? Why excavate a site if the locals who would be most interested by dint of their connections to the place never hear the story of the site? What is the point of heritage if it doesn’t contribute to people’s sense of themselves as a part of a place because they know more of its history.

Contract archaeology is driven by funding imperatives. The developer funds the excavation reluctantly; the archaeologist must get the work done in a limited time frame and has no budget for the niceties of interpretation for a non-specialist audience. But just for a moment, put aside all those funding and resource constraints and imagine what archaeology with a purpose beyond fulfilling legislative requirements might look like.

Children working in an archaeological trench with a father leaning over the edge looking on.

Both kids and adults are fascinated by archaeology as the Port Arthur Kids Dig program demonstrates. Photo A. Kinsela

Imagine

  • There would be real community involvement.
    Instead of peering through a cyclone wire fence as they walk past, people could volunteer to help – anyone from primary school kids to retirees. People are fascinated by archaeology. Getting your hands dirty is a great way to connect with your local history. And connecting with your local history generally means you’re more willing and interested in protecting and conserving it because it means something to you. (See the Council for British Archaeology, which welcomes volunteers, for example.)
  • There would be broader and more direct communications.
    Podcasts from the archaeologists, blog entries, Facebook pages, YouTube posts, Tweets, a display at the library or council offices. This would give a much better sense of how archaeology is done and how stories emerge and change as the work goes on.
  • The reports would contain at least a summary targetted at a non-specialist audience and copies would be lodged with the local library. (See Tales of the Vasco, for example which was part of a final report and tells stories about the site based on the archaeological evidence.)

Yes, it’s probably fanciful. But nothing really changes if you don’t have a vision first, does it?

Claire’s ‘Mission on a Mission’

By Masters in Archaeology Student Claire Keating

Between the 24th June and the 20th July myself and fellow Masters of Archaeology student Amy Della-Sale accompanied Dr. Mick Morrison to the mining township of Weipa on western Cape York Peninsula to assist in the collection of archaeological data as part of a research project investigating the post-contact history of Aboriginal communities on western and central Cape York Peninsula. Our work this trip was at a place known to Anhatangaith Traditional Owners as Waypandan.

My thesis is part of this research program and sets out to understand the activities of the Moravian and Presbyterian missionaries who established two missions in the Weipa area between 1898 and 1963. It is the first of these missions at Waypandan which is the focus of my research. Having operated between 1898 and 1932 this place is of very high importance to the community and as such constitutes a poignant research question especially in terms of the activities of its European and Indigenous inhabitants. My aim is to re-evaluate survey data collected in 2008 in light of photographic and historical resources in order to understand with greater certainty the spatial layout of the mission compound itself.

Tidying up field plans at Waypandan

Data collection for my portion of this project consisted of my wandering solo around the mission laden with photo books, compass, measuring tapes, marker flags, a GPS unit and a drawing board becoming familiar with every fence post, building post, earth mound, artefact scatter, and stone line within a (roughly) hundred square metre area. However despite my solitude and feeling somewhat like a pack-horse I relished in the fascinating puzzle I saw unfolding before my eyes. What at first seemed to be a rather straight-forward research objective soon became not so. Programs of building relocation and rebuilding both during the mission’s lifetime and beyond have created an archaeological record which at once crosses several temporal periods.

Improvising in the field

In all, three weeks were spent mapping and evaluating the mission landscape of Waypanden which proved to be an extremely complex and at times challenging study area. Up on the mission there was much head scratching going on as I struggled to make sense of a fragmentary archaeological record and a photographic collection which began to pose more questions than answers; meanwhile down in the Aboriginal village Morrison was doing a fair bit of chin scratching as he and Della-Sale stumbled across more and more features that needed to be recorded.

In all seriousness though, at the close of this field season I came away with so much more than the archaeological data needed to complete my thesis. The experience of working and, for a time, living with the Indigenous community of Weipa was so enriching and warming that when I returned to the cold (literally) reality of Adelaide, I felt rather home-sick for the smells of the campfire, the sounds of the bush, the chattering children, and the stories of the old people. Though my time spent with the community was rather brief it has made me more determined than ever in my goal to one day work closely with Indigenous communities to help preserve their cultural heritage for benefit of future generations.

The Magnetometer and its use in Underwater Archaeology

By Alex Kilpa Maritime Archaeology Masters Student

Introduction

So you’ve done all your homework, you’ve consulted all the relevant historical documentation and you know its approximate location, but where exactly is that illusive shipwreck? This is a typical scenario that maritime archaeologists are confronted with when trying to locate cultural materials deposited in an underwater environment. One remote sensing device that can assist in detecting shipwrecks and other cultural materials is the magnetometer. In essence, a magnetometer is an instrument that measures “magnetic force field intensity and direction”. This is done at the sensor data collection point where the measurements are taken. (Hine 1968:125; Ripka 2001:xvii).

Continue reading

Public interpretation and the Port Adelaide Community Archaeology Project

By Rikke Hammer, Graduate Student

This blog post is the first in a series of seven reflecting on various aspects of my four week industry practicum with post-graduate student Adam Paterson at Flinders University. Adam is doing his Phd research on understanding how public participation in archaeological research can contribute to and improve management of cultural heritage. The research forms part of the Port Adelaide Community Archaeology Project and is funded by the Australian Research Council. Also supporting the project are the South Australian Department of Environment and Heritage, the South Australian Maritime Museum and Archaeological and Heritage Management Solutions (Paterson n/d).

The Port Adelaide Community Archaeology project has involved several excavations around Port Adelaide, an area unique for its buried landscape of 19th century buildings and artefacts resulting from continuous deposition of sediment material to prevent against flooding. One of these excavations, the site of two 19th century working class family homes in Jane Street, excavated by Susan Briggs in 2003, will form the basis of a public archaeology event to be held during the Port Festival in Port Adelaide on 8 & 9 October 2011. It was  preparations for this public happening that occupied my time during the first week of the practicum. The event will be executed as an interactive “meet the archaeologist” event and will include opportunities for people to test their archaeological illustration skills as well as explore the practical and interpretive aspects of archaeology through learning how archaeologists read the soil and its contents. One idea for the event is to reconstruct the stratigraphic profile of two separate sections of Briggs’ 2003 excavation trench that illustrate different aspects of the site and the archaeological process and to incorporate authentic artefacts from the excavation. Plates 1 and 2 shows the sections selected for reconstruction.

Plate 1 Section one, collapsed wall.

Plate 2 Section two, brick, stone and cobble floor and vertical stratigraphy of yellow sand lenses underlying grey beach sand.

As part of the public outreach program heritage posters will also be produced. My task specifically, was to identify the stratigraphic contexts and artefacts found in the sections of Brigg’s trench that Adam wants to recreate based on photographs and site records. A second task involved reading up on interpretive archaeology focusing on tiered communication and interactive presentation strategies.  My next blog will focus more on the topic of public archaeology and the latter two concepts that are core to a well-designed and successful interpretation program.

References:
Paterson, A. n/d Port Adelaide Community Archaeology. Retrieved 12 August
2011 from http://www.flinders.edu.au/ehl/archaeology/research-
profile/current-projects/adam-paterson.cfm.

Industry partners:
South Australian Department of Environment and Heritage: www.environment.sa.gov.au/
The South Australian Maritime Museum: www.history.sa.gov.au/maritime/maritime.htm
Archaeological and Heritage Management Solutions: www.ahms.com.au/

Chronicle of an exhibition

By Helen Cronin, Master of Archaeology Student
(With apologies to Carmel Schrire )

This semester I’m doing an internship with the Bendigo Art Gallery which is preparing an exhibition of artefacts from an excavation that took place here in Bendigo a couple of years ago. The internship is part of a Directed Study I’m doing as part of the coursework component of my masters.

The excavation
For around five weeks in 2009, every lunchtime I walked past an excavation going on just down the road from where I worked. I stood on one side of the cyclone wire fence watching the archaeologists working diligently on the other side. Forest Street, Bendigo turned out to be of “considerable significance” to both Bendigo and the state according to the DIG International report.

Archaeologist standing in a trench holding a bottle.

All the artefacts were packed up and disappeared into the Heritage Victoria warehouse in Melbourne, and the developer constructed a new commercial building on the site.

The exhibition
I’d met a local archaeologist who had been involved with the project and was passionate that such stories should be told locally. I agreed. When the new building opened earlier this year, the local newspaper published a supplement that included a spread about the “treasures” that had been unearthed. So I wrote to the paper suggesting that it was a shame the story wasn’t being told here in Bendigo.

Bendigo doesn’t have a dedicated European history museum (a subject of some interesting debate here), but we do have the Post Office Gallery – a satellite space of the Bendigo Art Gallery – that hosts temporary social history exhibitions. And they announced shortly after I wrote to the paper that they were planning an exhibition of archaeology from the Forest Street site.

I begged the curator to let me be involved somehow. So this semester I’m undertaking an internship with the Bendigo Art Gallery for my Directed Study. I’ll be doing the research for and writing the labels that will accompany the items.

In addition, I’ll be setting that in a theoretical context of museum archaeology. The challenge with any museum exhibition of archaeology is to somehow provide a context for an object whose main value inheres in the original context from which it has been removed. Add to that postmodern concerns about “curatorial authority” and representation/construction of the past and this should be fun.

The artefacts
Last Friday, I visited the Heritage Victoria warehouse into which the Bendigo “treasures” disappeared. Annie, the very generous Curatorial Officer, showed me boxes and boxes from all sorts of sites around Bendigo and let me go through all the artefacts that have been selected for the exhibition. It’s a strange feeling looking at the names on the boxes and knowing I ride my bike past them regularly.

Hedley Swain in An Introduction to Museum Archaeology observes that people are more excited about a find the closer they are to its source in time and space. “Being shown a relatively unimportant find that was found on their street yesterday becomes as important as a famous ancient treasure found hundreds of years ago in another country.”(p 270) I have to agree. I think I was more excited handling tea cups and figurines that came from the down the road from where I worked than if they’d let me handle Tutankhamun’s crown.

I have another day booked at the lab in early September and a lot of work to do on what I’ve gathered so far.

(Annie also suggested that there was plenty of work to be done on Bendigo assemblages fit for a masters or PhD thesis. And she was happy to help with research topics.)