Tag Archives: Historical Archaeology

Claire’s ‘Mission on a Mission’

By Masters in Archaeology Student Claire Keating

Between the 24th June and the 20th July myself and fellow Masters of Archaeology student Amy Della-Sale accompanied Dr. Mick Morrison to the mining township of Weipa on western Cape York Peninsula to assist in the collection of archaeological data as part of a research project investigating the post-contact history of Aboriginal communities on western and central Cape York Peninsula. Our work this trip was at a place known to Anhatangaith Traditional Owners as Waypandan.

My thesis is part of this research program and sets out to understand the activities of the Moravian and Presbyterian missionaries who established two missions in the Weipa area between 1898 and 1963. It is the first of these missions at Waypandan which is the focus of my research. Having operated between 1898 and 1932 this place is of very high importance to the community and as such constitutes a poignant research question especially in terms of the activities of its European and Indigenous inhabitants. My aim is to re-evaluate survey data collected in 2008 in light of photographic and historical resources in order to understand with greater certainty the spatial layout of the mission compound itself.

Tidying up field plans at Waypandan

Data collection for my portion of this project consisted of my wandering solo around the mission laden with photo books, compass, measuring tapes, marker flags, a GPS unit and a drawing board becoming familiar with every fence post, building post, earth mound, artefact scatter, and stone line within a (roughly) hundred square metre area. However despite my solitude and feeling somewhat like a pack-horse I relished in the fascinating puzzle I saw unfolding before my eyes. What at first seemed to be a rather straight-forward research objective soon became not so. Programs of building relocation and rebuilding both during the mission’s lifetime and beyond have created an archaeological record which at once crosses several temporal periods.

Improvising in the field

In all, three weeks were spent mapping and evaluating the mission landscape of Waypanden which proved to be an extremely complex and at times challenging study area. Up on the mission there was much head scratching going on as I struggled to make sense of a fragmentary archaeological record and a photographic collection which began to pose more questions than answers; meanwhile down in the Aboriginal village Morrison was doing a fair bit of chin scratching as he and Della-Sale stumbled across more and more features that needed to be recorded.

In all seriousness though, at the close of this field season I came away with so much more than the archaeological data needed to complete my thesis. The experience of working and, for a time, living with the Indigenous community of Weipa was so enriching and warming that when I returned to the cold (literally) reality of Adelaide, I felt rather home-sick for the smells of the campfire, the sounds of the bush, the chattering children, and the stories of the old people. Though my time spent with the community was rather brief it has made me more determined than ever in my goal to one day work closely with Indigenous communities to help preserve their cultural heritage for benefit of future generations.

Archaeology and local memory in Bendigo

By Helen Cronin, Master of Archaeology student

As part of the research for my directed study working on an exhibition of local archaeology, I visited the ceramics consultant who had been at the excavation. The visit revealed the intimate connections between what comes out of the ground and what people remember.

Dennis O’Hoy has long been a champion of local heritage in Bendigo winning the inaugural Ray Tonkin award from Heritage Victoria for volunteer contributions to heritage earlier this year. Now retired, the former Principal Lecturer in ceramics and Head of the Department of Visual Arts at La Trobe University in Bendigo has an encyclopedic knowledge of Chinese, Bendigo Pottery and general ceramics.

It was like asking a child to show you his prized Transformers collection. He showed me photos of the Forest Street excavation (that hadn’t made it into the final report) and DVDs about various digs he’s worked on. Dennis plays a major part in the DVD about the Chinese kiln dig in 2005/6 talking about the Chinese ceramics found on the site. His back shed is crammed with shelves lined with samples of bottles, jars, Chinese and European ceramics – all stored in chronological order, all provenanced, all recorded on a database. It used to be his teaching collection. I thought back to the lab at Port Arthur in January where we were looking at shards of this sort of thing and trying to identify what they were from texts and the lab manager’s extensive knowledge. Dennis has complete samples.

I asked where the ceramics from the Forest Street site were likely to have come from. “Oh, they would have bought them here,” he said, and pulled out a copy of An American on the Goldfields. The book reproduces photos taken by American photographer Benjamin Batchelder during the early 1860s, which are now held by the State Library of Victoria.

Pall Mall Bendigo looking north from fountain sometime 1890-1901

Pall Mall Bendigo sometime between 1890 and 1901. The fountain is about a two minute walk from the Forest Street site. The photo is taken around the time of the richest artefact desposits on the site. Source: State Library of Victoria

Dennis took me for a “walk” through Bendigo’s shops. It’s something you can do when you’re both familiar with all the streets and some of the buildings still exist. He showed me where I could buy everything from dinner sets to clothes, fabric and horse gear. We also strolled into the Chinese district where he pointed out the room in building where he was born. It’s no longer there; the buildings were all knocked down in the 1970s and eventually the area become the Chinese (tourist) precinct where the Golden Dragon museum now stands.

“Remember the DVD about the Chinese kiln where I’m talking about the bowl?” he asked. Yes – he’s showing the base of a green glazed bowl excavated from the site and explaining about the trade in Chinese ceramics in the 19th century. On the base of the inside you can see a pink and green flower. On what remains of the outside of the bowl, you can see enough of the design to guess that it decorated the outside as well.

Dennis knelt down and opened a door in an old cabinet in his living room and pulled out a whole sample of the same bowl, complete with small chips on the rim apparently from everyday use. “It came from my grandfather’s shop.”

Public interpretation and the Port Adelaide Community Archaeology Project

By Rikke Hammer, Graduate Student

This blog post is the first in a series of seven reflecting on various aspects of my four week industry practicum with post-graduate student Adam Paterson at Flinders University. Adam is doing his Phd research on understanding how public participation in archaeological research can contribute to and improve management of cultural heritage. The research forms part of the Port Adelaide Community Archaeology Project and is funded by the Australian Research Council. Also supporting the project are the South Australian Department of Environment and Heritage, the South Australian Maritime Museum and Archaeological and Heritage Management Solutions (Paterson n/d).

The Port Adelaide Community Archaeology project has involved several excavations around Port Adelaide, an area unique for its buried landscape of 19th century buildings and artefacts resulting from continuous deposition of sediment material to prevent against flooding. One of these excavations, the site of two 19th century working class family homes in Jane Street, excavated by Susan Briggs in 2003, will form the basis of a public archaeology event to be held during the Port Festival in Port Adelaide on 8 & 9 October 2011. It was  preparations for this public happening that occupied my time during the first week of the practicum. The event will be executed as an interactive “meet the archaeologist” event and will include opportunities for people to test their archaeological illustration skills as well as explore the practical and interpretive aspects of archaeology through learning how archaeologists read the soil and its contents. One idea for the event is to reconstruct the stratigraphic profile of two separate sections of Briggs’ 2003 excavation trench that illustrate different aspects of the site and the archaeological process and to incorporate authentic artefacts from the excavation. Plates 1 and 2 shows the sections selected for reconstruction.

Plate 1 Section one, collapsed wall.

Plate 2 Section two, brick, stone and cobble floor and vertical stratigraphy of yellow sand lenses underlying grey beach sand.

As part of the public outreach program heritage posters will also be produced. My task specifically, was to identify the stratigraphic contexts and artefacts found in the sections of Brigg’s trench that Adam wants to recreate based on photographs and site records. A second task involved reading up on interpretive archaeology focusing on tiered communication and interactive presentation strategies.  My next blog will focus more on the topic of public archaeology and the latter two concepts that are core to a well-designed and successful interpretation program.

References:
Paterson, A. n/d Port Adelaide Community Archaeology. Retrieved 12 August
2011 from http://www.flinders.edu.au/ehl/archaeology/research-
profile/current-projects/adam-paterson.cfm.

Industry partners:
South Australian Department of Environment and Heritage: http://www.environment.sa.gov.au/
The South Australian Maritime Museum: http://www.history.sa.gov.au/maritime/maritime.htm
Archaeological and Heritage Management Solutions: http://www.ahms.com.au/

Last attempt to save the Glenelg Cinema

by Natalie Bittner.

We offer you the public of South Australia a centre of entertainment unique in this state. Every luxury, every thought, every care that 27 years of experience dictates, that modern science knows, is here for your comfort, your convenience, your service. We present the showplace of Australia, the Ozone Theatre Glenelg

(From the program distributed at the Gala opening night of the Ozone Theatre, Glenelg November 5th 1937)

Glenelg Cinema. Corner Jetty Road and Rose Street. Photo: Natalie Bittner. 26/05/2011

In the next few weeks, the fate of the Glenelg Cinema complex will be decided. The cinema has been closed since the end of January 2009 with no development on the site and a drop in visitor numbers to the Eastern end of the Jetty Road precinct noticed by nearby traders. In the week following its closure, the Wallis cinema company put up most of the interior fixtures for sale, including the seats and doors.

Having been designed by architect Kenneth Milne in 1936, the Glenelg Ozone Theatre (as it was then known) consisted of a single cinema screen, and had twin marble grand staircases and tartan carpeting throughout. Known for his impeccable detailing, the façade of the building includes stone from Basket Range in the Adelaide Hills, horizontal fins and the current vertical signage is the same element used in the original construction. Advertising material from 1938 says that the Ozone Theatre had air-conditioning throughout, a ladies smoking lounge, and a baby-friendly viewing area where mothers with screaming children ‘will not be embarrassed’ (The Advertiser Saturday October 9, 1937). On the 5th of November 1937 Glenelg Ozone Theatre’s gala opening night consisted of a technicolour screening of A Star is Born with shorts including How to Vote. (The Mail Saturday November 6th, 1937).

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Future work from my thesis?

My thesis was an attempt to locate the houses and haunts associated with prostitution in colonial Adelaide. I found numerous locations, but sadly only a small selection are still standing in the 21st century.
One of the most famous (or most infamous) places, that still stands is the Colonel Light Hotel (formerly named the Shamrock Hotel), this building was reported to share its town arce (131) with several cottages used by prostitutes, which were owend by the hotel’s proprietor. The hotel now shares the land with a small carpark.
I would love the opportunity to excavate this carpark, as it is one of the few locations that does now not hold a building.
Colonial Adelaide boasted several forms of prostitution, but my research found no references to the ‘classic brothel’ ideal, however when presenting my thesis one person in my audience mentioned one or two hotels that were purposed built to be brothels and would conform to the ‘classic brothel’ ideal.
It seems there is always more to learn. ^_^